Max Roach’s “It’s Time:” A Visionary Blend of Jazz and Choral Expression

Introduction:

In the pantheon of jazz innovation, few musicians have consistently pushed boundaries like drummer, composer, and bandleader Max Roach. His 1962 album, “It’s Time,” released on the iconic Impulse! label, stands as a testament to his restless creativity and his commitment to using music as both an artistic and a social force. Combining the traditional sounds of a jazz sextet with the bold addition of a vocal choir, “It’s Time” is an ambitious, genre-blurring work that challenges conventions while delivering deeply emotional and intellectually engaging music.

The Context of “It’s Time:”

By 1962, Max Roach was already recognized as a revolutionary figure in jazz. His earlier works, such as “We Insist! Freedom Now Suite” (1960), had firmly established him as an artist unafraid to confront social issues head-on. In the years leading up to “It’s Time,” Roach had become a central figure in the civil rights movement, using his music as a platform to advocate for equality and justice.

“It’s Time” emerged during a period of experimentation in jazz, with many artists exploring the use of larger ensembles, third-stream concepts, and unorthodox instrumentation. Recorded at the Fine Recording Ballroom Studio A in New York City in February 1962, the album sees Roach expand his palette by incorporating a vocal choir conducted by Coleridge-Taylor Perkinson. This fusion of jazz instrumentation and choral voices gives the album its distinctive sound and thematic depth.

The Ensemble: A Stellar Lineup

At the heart of “It’s Time” is Roach’s all-star sextet, featuring some of the most talented jazz musicians of the era:

• Max Roach (Drums): As the bandleader and composer, Roach drives the album’s rhythmic complexity and dynamic shifts. His drumming is as precise as it is expressive, providing both structure and propulsion.
• Richard Williams (Trumpet): Williams brings a warm, lyrical quality to the music, balancing introspection with bursts of fiery energy.
• Clifford Jordan (Tenor Saxophone): Known for his soulful tone and robust phrasing, Jordan delivers some of the album’s most memorable solos.
• Julian Priester (Trombone): Priester’s rich, brassy sound adds depth and contrast to the ensemble.
• Mal Waldron (Piano): Waldron’s angular, minimalist approach to the piano creates a harmonic tension that underpins much of the album’s mood.
• Art Davis (Bass): Davis anchors the group with his steady, resonant basslines, providing a counterpoint to the more freewheeling elements.

Adding to this exceptional lineup is the vocal choir, orchestrated by Roach and conducted by Perkinson. Unlike many jazz recordings of the time that featured gospel-influenced vocals, the choir here functions as a dynamic, wordless ensemble, blending seamlessly with the instrumental textures.

Finally, the album features a guest appearance by vocalist Abbey Lincoln on the track “Lonesome Lover.” Lincoln, who was both Roach’s collaborator and partner, brings emotional depth and clarity to the song’s haunting melody and poignant lyrics.

Track listing:

All composed by Max Roach

1. “It’s Time” – 6:44
2. “Another Valley” – 8:46
3. “Sunday Afternoon” – 6:16
4. “Living Room” – 7:31
5. “The Profit” – 7:32
6. “Lonesome Lover” – 7:02

Reception and Legacy:

Upon its release, “It’s Time” received critical acclaim for its daring concept and execution. Scott Yanow of AllMusic describes it as an “unusual set,” praising the choir’s integration as a jazz ensemble rather than a gospel influence. The album earned a place in the jazz canon, with critics recognizing it as a bold and forward-thinking work.

While not as widely discussed as some of Roach’s other albums, “It’s Time” remains a favorite among jazz enthusiasts and musicians. Its influence can be heard in later works that blend jazz with orchestral or choral elements, proving Roach’s prescience as a composer and bandleader.

Why “It’s Time” Matters:

At its core, “It’s Time” is a celebration of innovation and collaboration. Roach’s decision to blend a traditional jazz sextet with a vocal choir was groundbreaking, challenging listeners’ expectations and expanding the possibilities of the genre. The album’s themes of urgency, introspection, and social consciousness resonate as strongly today as they did in 1962.

For Max Roach, music was never just about entertainment; it was a means of communication, a way to reflect the world around him and inspire change. “It’s Time” embodies this philosophy, offering a listening experience that is both artistically profound and emotionally moving.

Final Thoughts:

Max Roach’s “It’s Time” is a masterpiece that deserves a prominent place in any jazz collection. Its seamless blend of instrumental and vocal elements, combined with the stellar musicianship of Roach’s sextet, makes it a unique and timeless work. Whether you’re a seasoned jazz listener or new to the genre, this album offers something truly special: a chance to hear one of jazz’s greatest innovators at the height of his creative powers.

References:

1. Cook, R. & Morton, B. (2008). The Penguin Guide to Jazz Recordings. Penguin Books.
2. Swenson, J. (1985). Rolling Stone Jazz Record Guide. Random House.
3. “It’s Time” album cover art. Retrieved from https://en.wikipedia.org/wiki/File:It%27s_Time_(Max_Roach_album).jpeg