Introduction:
In the world of jazz, few names evoke as much admiration and respect as Gonzalo Rubalcaba, Ron Carter, and Jack DeJohnette. These titans of music have not only defined the genre over the decades but have also continuously pushed its boundaries. In their 2021 album “Skyline,” released under 5Passion Records, this legendary trio comes together to create a masterpiece that blends their profound musicianship with an intimate exploration of both old and new sounds.
A Trio of Legends:
Gonzalo Rubalcaba, a Cuban pianist known for his virtuosic technique and innovative approach, teams up with Ron Carter, the most recorded bassist in jazz history, and Jack DeJohnette, a drummer renowned for his versatility and creativity. This album marks the first of three planned trio albums, offering listeners a deep dive into a mixture of Cuban standards and original compositions from the bandmates themselves.
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The Making of “Skyline”:
Recorded at Sear Sound Studio in New York City, “Skyline” represents a reunion of sorts. For Rubalcaba, this album is a return to his roots and a reflection of his journey since immigrating from Cuba over 20 years ago. The music, as Rubalcaba notes in the liner, was his “real school” and his “portal to a different relationship with American music.”
The album’s tracklist is a blend of Cuban classics and original pieces, each reimagined through the unique lens of the trio. From the emotionally charged “Silver Hollow” to the bright and intricate “Ahmad The Terrible,” every track is a testament to the trio’s profound musical synergy and individual mastery.
Exploring the Tracks:
“Lágrimas Negras”
The album opens with “Lágrimas Negras,” a timeless Cuban standard. DeJohnette’s snareless drumming creates the essential Afro-Cuban bolero feel, while Rubalcaba’s piano crescendos bring out the emotional depth of the piece. Carter’s bass adds a layer of conversation, elevating the track to new heights.
“Gypsy”
Next is “Gypsy,” a piece first recorded by Carter, Chick Corea, and DeJohnette some 40 years ago. In “Skyline,” it gets a fresh coat of sonic paint. Carter’s walking bass line allows Rubalcaba the freedom to explore and articulate each note, bringing a new luster to this classic tune.
“Silver Hollow”
“Silver Hollow,” composed by DeJohnette, is a highlight of the album. This track showcases Rubalcaba’s ability to move deeply within the emotional landscape of the music. Carter’s steady bass provides a sturdy core, while DeJohnette’s drumming adds a mesmerizing quality to the piece.
“Promenade”
Originally written by Rubalcaba for Carter, “Promenade” gains a new dimension with Carter actually playing on the track. The combination of Rubalcaba’s composition and the trio’s performance creates a sentimental and warm recording, reflecting their deep musical connection.
“Novia Mia” and “A Quiet Place”
Returning to the Afro-Cuban sound, “Novia Mia” offers a rhythmic journey before transitioning into “A Quiet Place,” a vintage piece by Carter. The latter track is given a makeover that emphasizes the trio’s grace and connectivity, showcasing their collective happiness and ease of conversation.
“Ahmad The Terrible”
DeJohnette’s tribute to Ahmad Jamal, “Ahmad The Terrible,” is another standout. Rubalcaba meets the challenge of adding his own voice to this homage, moving brightly and boldly while maintaining the essence of Jamal’s influence.
“Siempre Maria” and “RonJackRuba”
The album concludes with “Siempre Maria,” a reflective piece, and “RonJackRuba,” an unplanned improvisation that captures the trio’s spontaneous creativity. This final track, recorded without the group’s knowledge, epitomizes the essence of jazz – a cool, off-the-cuff moment that leaves listeners with a sense of being a fly on the wall during a magical jam session.
The Essence of “Skyline”:
“Skyline” is more than just an album; it’s a celebration of jazz’s rich history and its endless possibilities. The trio’s ability to blend their extensive experience with a fresh and innovative approach results in a collection of tracks that are substantial yet serene, sophisticated yet soothing. The music develops at its own pace, allowing each piece to unfold naturally and beautifully.
Critical Reception:
The album has garnered significant acclaim from critics and fans alike. Joshua Myers from All About Jazz praised the trio’s erudite conversations and the album’s serene yet substantial nature. Jim Worsley highlighted the earthiness of New York City that permeates the album, noting the abundant joy and familiarity among the musicians as they reenergize and reimagine classic tunes.
“Skyline” is not just a reunion of legendary musicians; it’s a testament to the enduring power of jazz and the unique magic that happens when masters of the craft come together. Each track is a journey, a conversation, and an exploration of musical boundaries that leaves a lasting impression.
In “Skyline,” Gonzalo Rubalcaba, Ron Carter, and Jack DeJohnette have created a work of art that is both a nod to the past and a step toward the future. The album is a must-listen for jazz enthusiasts and a perfect example of how great music can transcend time and genre. With its blend of Cuban standards, original compositions, and spontaneous improvisations, “Skyline” stands as a beacon of jazz excellence and a testament to the enduring legacy of these three remarkable musicians.
References:
- Feather, L. & Gitler, I. (2007). The Biographical Encyclopedia of Jazz. Oxford University Press.
- Larkin, C. & Crowther, B. (1992). The Guinness Who’s Who of Jazz. Guinness World Records Ltd.
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